Sans Superellipse Bokoj 2 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: branding, ui labels, headlines, posters, packaging, minimal, modern, calm, friendly, technical, clarity, neutrality, precision, lightness, modernity, monoline, geometric, rounded, clean, airy.
This is a very thin, monoline sans with softly squared rounds and superellipse-like curves that keep counters smooth and controlled. Shapes are built from straight segments meeting rounded corners, producing a geometric rhythm that is more rounded-rectangle than pure circle. Terminals are clean and unembellished, curves are broad and even, and joins stay simple, creating a crisp, minimal texture across text. The overall impression is light, open, and precise, with consistent stroke behavior and a tidy, contemporary silhouette.
It suits branding that needs a quiet, contemporary tone—especially where a light, elegant typographic color is desirable. The font works well for UI labels, dashboards, packaging, posters, and editorial headlines where its thin strokes and rounded geometry can read as premium and modern. In longer text, it will be most effective at comfortable sizes and with adequate contrast, where the airy spacing and simple forms remain clear.
The font feels calm, airy, and deliberately understated, with a contemporary tone that reads as clean and considered rather than expressive. Its gentle rounding and open spacing give it a friendly, approachable mood while still staying neutral enough for system-like clarity.
The design appears intended to provide a modern geometric voice with softened edges, prioritizing a clean reading rhythm and a refined, lightweight presence. The rounded-rectangle construction suggests a goal of balancing strict geometry with approachability, making the style feel precise without becoming harsh.
Round letters like O, Q, and 8 show a distinctly squarish rounding rather than perfectly circular bowls, reinforcing the superellipse construction. The lowercase includes single-storey forms (notably a and g), and punctuation and numerals follow the same thin, rounded-corner logic for a consistent overall texture.