Sans Superellipse Kuba 2 is a bold, wide, low contrast, upright, normal x-height font.
Keywords: ui labels, signage, headlines, product branding, packaging, tech, futuristic, industrial, clean, geometric, geometric branding, tech clarity, modern signage, systematic forms, squared-round, monoline, rounded corners, compact counters, angular diagonals.
A geometric sans built from rounded-rectangle and superellipse shapes, with consistent monoline strokes and generously rounded outer corners. Curves resolve into squared bowls and flat terminals, creating a crisp, modular rhythm across both uppercase and lowercase. Counters tend to be compact and rectangular, and joins are firm and simplified; diagonals in letters like A, K, V, W, X, and Y feel straight and engineered rather than calligraphic. Numerals follow the same squared-round logic, keeping widths steady and corners softly radiused for a cohesive set.
It suits interface labels, dashboards, and wayfinding where a clean, engineered look is desirable, and it can also carry strong headline and product-branding work thanks to its distinctive squared-round silhouette. At larger sizes it highlights its superelliptical character; in shorter text settings it maintains a consistent, orderly texture.
The overall tone is technological and forward-leaning, with a controlled, machined feel that reads as modern and utilitarian. Its rounded corners keep it approachable, but the squared curves and tight counters still communicate precision and an industrial sensibility.
The font appears intended to deliver a modern geometric voice rooted in rounded-rectangle construction, balancing technical precision with softened corners for a friendly, contemporary finish. Its consistent stroke behavior and modular forms suggest a focus on clarity and a distinctive techno-geometric identity.
The design emphasizes horizontal/vertical structure, with many forms appearing built from straight segments connected by large-radius corners. Letterforms show a distinctive squircle-like DNA in C, G, O, Q, and S, and the lowercase maintains the same geometric logic rather than switching to more humanist shapes.