Sans Superellipse Hagiy 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Exabyte' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, techno, industrial, futuristic, modular, sporty, impact, modernization, system feel, display clarity, brand character, rounded corners, squared bowls, soft terminals, stencil-like, geometric.
A heavy, geometric sans built from rounded-rectangle and superellipse primitives. Curves resolve into squared bowls with generous corner radii, producing compact counters and a blocky silhouette. Strokes are consistently thick with minimal contrast, and joins tend toward squared geometry rather than calligraphic modulation. Many letters show deliberate cut-ins and open apertures (notably in forms like C, S, and G), giving a slightly segmented, engineered rhythm. Numerals follow the same rounded-rect logic, with wide, stable forms and simplified interiors.
Best suited to display settings where strong presence and geometric character are desirable: headlines, posters, product branding, labels, and tech or sports-adjacent identities. It can work for short UI titles or signage where clarity at larger sizes matters, but its dense texture is less ideal for extended body text.
The overall tone is assertive and technical, evoking digital interfaces, machinery, and contemporary sci‑fi aesthetics. Rounded corners soften the mass, but the squared construction keeps it feeling utilitarian and controlled rather than friendly. The segmented details add a sense of motion and system design, suggesting performance and modern fabrication.
The design appears intended to deliver a contemporary, engineered look by reducing letterforms to rounded-rect modules and consistent heavy strokes. The controlled apertures and segmented cuts suggest an aim for high-impact display typography with a futuristic, system-like voice.
In text, the large dark shapes create strong impact, while the tight counters and occasional open cuts can make long passages feel dense. The distinctive superelliptical construction reads especially clearly at display sizes, where the rounded-square geometry and engineered openings become a defining texture.