Sans Superellipse Bodab 9 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, app design, wayfinding, posters, branding, minimal, modern, airy, precise, tech, geometric clarity, modern branding, ui friendliness, systematic design, monoline, geometric, rounded, rectilinear, clean.
This typeface is a monoline sans with a rounded-rectangle construction: curves resolve into smooth corner radii and many bowls feel squared-off rather than purely circular. Strokes are consistently thin with crisp terminals, producing a clean, spare texture. Uppercase forms are simplified and geometric, with straight-sided counters and rounded corners in letters like O, D, and Q; diagonals in A, V, W, X, and Y are taut and even. Lowercase continues the superelliptical logic with compact, tidy bowls (a, e, g, p, q) and slender ascenders/descenders, while punctuation and numerals match the same light, controlled geometry.
It suits interface typography, navigation, and small-to-medium display settings where a clean, modern voice is desired. The distinctive rounded-rectangle forms can add character to branding, product titles, and editorial pull quotes, especially in layouts that emphasize whitespace and a minimalist aesthetic.
The overall tone is quiet and contemporary—cool, efficient, and deliberately restrained. Its rounded-rectangular shapes give it a subtly technical character, balancing friendliness from the softened corners with a precise, engineered feel.
The letterforms suggest an intention to create a contemporary geometric sans built from superelliptical primitives—prioritizing uniformity, clarity, and a recognizable rounded-rect signature. The restrained stroke weight and consistent curvature point to a design meant to feel sleek and technical without becoming cold.
The design maintains strong consistency in corner radii across rounds and joins, which helps it look cohesive in mixed-case text. The light strokes and open interior shapes keep paragraphs looking spacious, while the squared curves add a distinctive signature compared to more purely circular geometric sans faces.