Cursive Opbez 11 is a very light, very narrow, low contrast, italic, very short x-height font.
Keywords: wedding invites, greeting cards, branding, social quotes, packaging, airy, delicate, romantic, casual, elegant, handwritten realism, signature feel, light elegance, personal tone, monoline, looping, tall ascenders, long descenders, open counters.
A fine, monoline cursive with a tall, slender silhouette and a consistently right-leaning rhythm. Strokes are smooth and pen-like, with soft terminals, occasional entry/exit flicks, and generous loops in capitals and in letters like g, y, and z. The lowercase shows compact bodies with noticeably tall ascenders and long descenders, creating a high vertical cadence and a lot of white space within and between words. Connections are mostly flowing but not overly tight, and spacing varies slightly in a natural, handwritten way.
This style works best where a personal, graceful signature feel is desired—wedding and event stationery, greeting cards, boutique branding, and short display lines in packaging or social graphics. It is especially effective for titles, names, and brief phrases where the tall, looping forms have room to breathe.
The overall tone feels light and intimate, like quick personal notes written with a steady hand. Its looping forms and ample whitespace read as graceful and romantic rather than bold or formal, giving text a gentle, refined informality.
The design appears intended to emulate neat, modern handwritten cursive with an emphasis on elegance and vertical flourish. By keeping strokes thin and shapes open while adding looping capitals and long extenders, it aims for a refined handwritten voice suited to display-led, personal communication.
Capitals are prominent and decorative, often built from large loops and elongated strokes that can dominate at small sizes. Numerals follow the same thin, handwritten logic with simple, open forms, supporting a consistent look in short numeric details.