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Distressed Jeze 7 is a bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Fluro' by Kazer Studio, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, stenciled, military, rugged, utilitarian, stencil effect, high impact, industrial labeling, graphic texture, display branding, all-caps feel, segmented, ink traps, soft corners.


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A heavy, wide sans with a stencil-like construction that breaks bowls and joints into distinct segments. Strokes are thick and mostly uniform, with rounded outer corners and purposeful interior cutouts that read like bridges and gaps rather than random erosion. The letterforms have a strong, blocky silhouette with simplified geometry, and the counters often appear partially closed or interrupted, creating a rhythmic pattern of vertical slabs and curved fragments. Overall spacing looks generous and the broad proportions produce an expansive, poster-ready texture.

Best suited for large-format typography where the stencil breaks and chunky silhouettes can be clearly appreciated—posters, headlines, signage, and packaging that needs a rugged, industrial voice. It also works well for logos and wordmarks where a stenciled, utilitarian aesthetic is desired.

The font projects an industrial, no-nonsense tone—suggesting equipment labeling, military stencils, and rugged signage. Its segmented shapes feel mechanical and engineered, delivering a tough, utilitarian character that reads as assertive and practical rather than refined or delicate.

The design appears intended to emulate stenciled or mask-cut lettering with consistent, deliberate gaps that maintain structural continuity. Its wide, heavy proportions prioritize impact and quick recognition, while the segmented counters add a distinctive thematic texture for display typography.

The distinctive breaks inside rounded letters (such as C, O, Q, S, and numerals) create recognizable ‘bridge’ motifs that can become a strong branding element. At smaller sizes the internal gaps may visually close up, while at large sizes they add graphic interest and a sense of motion and grit.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸