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Free for Commercial Use

Wacky Ture 2 is a very bold, normal width, high contrast, upright, tall x-height font.

Keywords: posters, headlines, logotypes, album art, event flyers, playful, glitchy, industrial, retro, rebellious, attention grabbing, textural display, diy grit, graphic impact, stencil-like, chunky, geometric, angular, cut-out.


Free for commercial use
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A heavy, blocky display face built from squarish, geometric letterforms with tight counters and a mostly monoline silhouette. Many glyphs feature deliberate internal cut-outs and notches that read like stencil bridges or damaged/eroded voids, creating strong black mass with high-contrast negative shapes. Corners are largely squared with occasional rounded internal apertures, and the rhythm is intentionally uneven—some characters introduce dramatic slashes or vertical wedges that interrupt otherwise rigid rectangles. The result is a compact, punchy texture that holds together in words while keeping a handcrafted, irregular edge.

Best used for short, high-impact settings such as posters, headlines, logotypes, and graphic-heavy branding where texture and attitude matter more than neutral readability. It also suits album art, club/event flyers, packaging accents, and title cards that benefit from a bold, experimental voice.

The font projects a mischievous, disruptive tone—somewhere between stencil-industrial signage and playful glitch art. Its carved-out interiors and jumpy details give it a gritty, DIY attitude that feels energetic and slightly chaotic, with a retro arcade/poster flavor when set large.

The design appears intended to turn simple geometric blocks into expressive letterforms by carving and slicing them with stencil-like voids. Its consistent black mass and disruptive internal shapes suggest a goal of maximum visual punch and a distinctive, one-off personality for display typography.

In longer lines, the dense black shapes create strong impact, but the frequent interior cut-outs and idiosyncratic details can reduce clarity at smaller sizes. The design’s identity comes from its consistent use of internal voids and cut marks, which unify the alphabet even as individual letters behave unpredictably.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸