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Sans Superellipse Idbop 13 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Corpid', 'Taz', and 'TheSans' by LucasFonts; 'Morandi' by Monotype; 'Bajazzo' and 'Bajazzo Rounded' by Schriftlabor; and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, signage, bold, playful, friendly, punchy, sporty, impact, approachability, modern branding, logo use, bold messaging, rounded, blocky, soft corners, compact, high impact.


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A heavy, rounded sans with a distinctly squarish construction: curves resolve into broad superelliptical bowls and rounded-rectangle counters rather than perfect circles. Strokes are consistently thick with minimal modulation, and terminals tend to be blunt, giving the letters a solid, cut-out feel. The apertures are relatively tight and the counters are compact, while key joins (like in M, N, K, and R) stay simple and sturdy. Lowercase forms are robust and simplified, with single-storey a and g and a sturdy, short-armed t, maintaining a dense, even rhythm across text.

Best suited to display work where mass and clarity matter: headlines, posters, product packaging, and bold brand marks. Its soft corners and compact interiors also make it a strong choice for sporty or youth-oriented graphics and short, high-impact lines of text.

The overall tone is energetic and approachable, combining a soft-cornered friendliness with a strong, emphatic presence. It reads as contemporary and sporty, with a slightly chunky, cartoon-adjacent confidence that prioritizes impact over delicacy.

This design appears intended to deliver maximum visual punch with a friendly, rounded silhouette, using squarish curves and consistent thickness to create a modern, logo-ready voice. The simplified shapes and tight counters suggest it was drawn for bold messaging and graphic applications rather than long-form reading.

The squircle-like geometry is especially evident in rounded letters (O, Q, C, G) and in the numerals, which look built from the same softened-rectangle logic. The set maintains consistent weight and corner radii across caps, lowercase, and figures, helping it feel cohesive at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸