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Free for Commercial Use

Sans Superellipse Pymun 13 is a regular weight, narrow, low contrast, upright, tall x-height font visually similar to 'Sharp Grotesk Latin', 'Sharp Grotesk Paneuropean', and 'Sharp Grotesk Thai' by Monotype (names referenced only for comparison).

Keywords: headlines, signage, ui labels, posters, branding, modern, utilitarian, clean, industrial, neutral, space saving, clarity, systematic design, modern utility, condensed, rounded corners, monoline, compact, high legibility.


Free for commercial use
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This typeface is a compact, condensed sans with monoline strokes and softly squared, superellipse-like curves. Round letters read as rounded rectangles rather than circles, giving counters a tidy, engineered feel. Terminals are generally flat and clean, with minimal modulation and crisp joins. The overall color is even and dense, with tight interior spaces and a restrained, systematic rhythm across uppercase, lowercase, and figures.

It works well for headlines, posters, and brand systems that need a compact footprint and a clear, contemporary voice. The sturdy, squared-round shapes also suit signage and interface labels where quick recognition matters and space is limited. In longer settings it can create a dense, efficient texture that supports informational layouts and editorial display use.

The tone is modern and utilitarian, with a slightly industrial, signage-like directness. Its rounded-rectilinear geometry feels technical and controlled rather than friendly, projecting efficiency and clarity. The condensed proportions add urgency and focus, making text feel purposeful and information-forward.

The design appears intended to deliver a space-saving sans with a distinctive superellipse geometry—combining straightforward readability with a subtly technical silhouette. Its consistent stroke treatment and squared-round counters suggest an emphasis on systematized, contemporary typography suited to modern communication and wayfinding.

The uppercase shows strong vertical emphasis and compact widths, while the lowercase maintains a straightforward, contemporary construction with simple forms and consistent stroke behavior. Numerals match the same squared-round logic, staying sturdy and readable at a glance. Overall, the design prioritizes structure and coherence over expressive detailing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸