Sans Other Uhmy 3 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Blue Creek' and 'Blue Creek Rounded' by ActiveSphere, 'Choxr' by Almarkha Type, 'Late Breaking News JNL' and 'Newsworthy JNL' by Jeff Levine, and 'Headliner TC' by Tom Chalky (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, event promos, urgent, sporty, industrial, retro, condensed, space-saving, speed emphasis, industrial edge, distinctive texture, display impact, slanted, oblique, compressed, high-impact, stencil-cut.
A heavily slanted, tightly compressed sans with thick, uniform strokes and compact counters. Many glyphs feature a distinctive midline “cut” or split—most visible in rounded forms and numerals—creating a stencil-like interruption that adds texture without introducing true serifs. Curves are squared off and streamlined, terminals are blunt, and the overall rhythm is brisk and vertical, with tall ascenders/descenders and dense spacing that reads as forceful in lines of text.
Best suited to high-impact display settings such as posters, headlines, sports and motorsport-style branding, packaging callouts, and event promotions where density and motion are desirable. It can work for short subheads and labels, but the compressed shapes and stencil cuts make it less comfortable for extended reading.
The overall tone is fast, assertive, and mechanical, evoking speed graphics and utilitarian labeling. The slant and compression give it an energetic, forward-leaning attitude, while the internal cuts add a rugged, engineered feel.
The design appears intended to deliver maximum punch in minimal horizontal space while projecting speed and toughness. The repeated mid-stroke cuts suggest a deliberate industrial/stencil concept meant to differentiate the face and reinforce a functional, engineered aesthetic.
The internal breaks are consistent enough to function as a signature detail, but they can also create visual noise at smaller sizes, especially in characters with already tight counters. Numerals echo the same cut motif, helping headings and data-like strings maintain a cohesive look.