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Free for Commercial Use

Sans Superellipse Mive 5 is a bold, wide, monoline, upright, tall x-height font.

Keywords: headlines, branding, logotypes, ui display, posters, futuristic, techy, playful, modular, clean, digital aesthetic, brand distinctiveness, display impact, system geometry, rounded corners, soft geometry, squared-round, stencil-like, high contrast counters.


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A geometric sans with a squared-round, superelliptic construction and heavily rounded corners throughout. Strokes are consistently thick and uniform, creating a smooth, monoline rhythm with minimal modulation and generous internal rounding. Many letters favor boxy bowls and rectangular counters, with occasional intentional breaks and inline-like cutouts that give certain glyphs a segmented, almost stencil-inspired feel. The overall proportions read compact and sturdy, with short extenders and a large x-height that keeps lowercase forms prominent and highly graphic.

Best suited for headlines, branding, product naming, and short UI/display strings where its geometric personality can read clearly. It also works well in posters and packaging where a tech-forward, modular look is desired. For long-form text, the dense shapes and distinctive cut details may become visually insistent, so it’s strongest when used large or with ample spacing.

The tone is distinctly futuristic and interface-oriented, mixing precision with friendly softness from the rounded corners. Its modular shapes and occasional segmented details add a playful, game-like energy while still feeling controlled and modern. The result is a confident display voice that suggests technology, motion, and digital products rather than traditional editorial neutrality.

The design appears intended to deliver a contemporary, digital-first sans that balances strict geometry with approachable rounding. Its consistent stroke weight and superelliptic skeleton suggest an emphasis on clean reproduction on screens, while the segmented/cut details add recognizability for logo and title use.

The numerals and many uppercase forms lean toward rounded-rectangle silhouettes, producing a cohesive, system-like texture across lines. Apertures are generally tight and squared, and several glyphs introduce asymmetric cuts or notches that increase visual character and help differentiate similar shapes at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸