Outline Ohdu 11 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, signage, logos, packaging, playful, retro, bold, graphic, architectural, display impact, retro styling, sign look, graphic texture, decorative outline, inline, double-line, monoline, rounded, blocky.
A geometric sans with rounded corners and uniform, monoline outlines. Each glyph is built from an outer contour plus an inner inline contour that creates a double-stroke, hollow effect; the spacing between the two lines is fairly consistent, giving a clean, sign-like rhythm. Proportions lean wide and blocky in the caps, with simple circular forms (O, C) and squared terminals elsewhere; the lowercase is similarly constructed and remains highly stylized, with some quirky joins and offsets that emphasize the layered outline structure. Numerals follow the same outlined construction, with open interior counters and clear, billboard-like silhouettes.
Best suited for display work such as posters, headlines, product packaging, event graphics, and signage where the outline-and-inline construction can be appreciated. It can also work for logos and wordmarks that want a retro, architectural outline look, especially when paired with simple supporting typography.
The overall tone is playful and retro, evoking marquee lettering, vintage display titling, and amusement-park signage. The doubled outline reads energetic and decorative rather than neutral, adding a crafty, hand-built character while still feeling systematic and geometric.
The design appears intended to deliver a decorative, double-outline display style that feels geometric and consistently constructed across the character set. Its emphasis on layered contours suggests a goal of creating bold visual texture without using filled strokes, lending a light-but-assertive presence in large-scale applications.
Because the design relies on multiple parallel contours, it benefits from generous size and contrast against the background; in smaller settings the inner line and narrow gaps can visually fill in. The distinctive layered outlines create strong texture in words, making it more suitable for short bursts than dense text.