Slab Square Alnu 7 is a regular weight, very wide, low contrast, upright, tall x-height font visually similar to 'Aderos' by Eko Bimantara (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, editorial, industrial, retro, technical, authoritative, utilitarian, robust legibility, display impact, industrial voice, retro utility, slab serif, square terminals, flat serifs, wide stance, open counters.
A wide, low-contrast slab serif with flat, square-ended serifs and terminals. Strokes are largely monolinear, with a sturdy, engineered feel and broad proportions across both uppercase and lowercase. The x-height is notably tall, producing large internal spaces and clear, open counters, while round letters stay fairly geometric with slightly squared-off joins. Overall spacing and rhythm read expansive, with strong horizontal emphasis from the slab detailing and wide set.
It performs well in headlines and display settings where a broad, sturdy slab serif can project confidence and clarity. The tall x-height and open counters also support short paragraphs and editorial pull quotes, especially when a retro-industrial flavor is desired. Its blunt terminals make it a natural fit for signage, labels, and packaging that benefit from a strong, no-nonsense typographic voice.
The face conveys an industrial, retro-technical tone—confident, utilitarian, and a bit mechanical. Its wide stance and blunt slab details give it an assertive, signage-like presence while still reading as approachable and familiar in extended text.
The design appears aimed at a robust, highly legible slab serif with an engineered, square-terminal aesthetic. Its wide proportions and low-contrast construction suggest an intention to maintain clarity at larger sizes while delivering a distinctive, industrial-leaning personality.
Uppercase forms feel especially architectural, with prominent slabs and long horizontals, while lowercase keeps the same square-terminal logic for consistency. Numerals appear similarly wide and sturdy, matching the overall blocky rhythm and reinforcing a pragmatic, tool-like character.