Sans Superellipse Abmuz 13 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Halenoir' by Ckhans Fonts, 'Granat' and 'Konsens' by Hubert Jocham Type, and 'PTL Spekta' by ProtoType (names referenced only for comparison).
Keywords: ui labels, product design, signage, dashboards, presentations, clean, modern, neutral, technical, friendly, clarity, approachability, systematic design, legibility, rounded, geometric, crisp, open, stable.
This sans serif shows a geometric, rounded-rectangle construction with smooth superelliptical curves in bowls and counters. Strokes stay consistently even, with clean terminals and minimal modulation, producing a tidy, contemporary rhythm. Proportions are balanced and steady: round letters like C, O, Q read broad and open, while straight-sided forms (E, F, H, I, L) are compact and crisp. Lowercase features include a single-storey a and g, a round dot on i/j, and a short, practical t with a compact crossbar, all contributing to a straightforward text texture. Numerals are clear and workmanlike, with an open, rounded 0 and simple, legible 1–9 forms that align with the same rounded geometry.
It fits well in user interfaces, product and brand systems, and clear informational settings such as dashboards, wayfinding, and packaging. The even stroke and rounded geometry also make it effective for headings, slide decks, and short-to-medium text where a clean, modern voice is needed without looking overly sterile.
The overall tone is calm and contemporary, combining a neutral, utilitarian clarity with a soft friendliness from the rounded shaping. It feels systematic and dependable rather than expressive, making it suitable for interfaces and information-forward design where quiet confidence is preferred.
The design appears intended to deliver a contemporary geometric sans with softened, superelliptical curves that improve approachability while preserving precision. It aims for dependable legibility and consistent rhythm across caps, lowercase, and numerals, supporting both interface clarity and modern editorial or branding use.
Diagonal-heavy capitals (V, W, X, Y) are sharply drawn but still softened at joins, keeping the family’s rounded logic consistent. Apertures in letters like e and c remain fairly open, supporting readability at smaller sizes while maintaining a compact, controlled silhouette in display settings.