Solid Teba 3 is a very bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, event promos, playful, punchy, retro, quirky, toy-like, attention-grabbing, decorative impact, retro flavor, silhouette-first, geometric, chunky, monolithic, rounded corners, faceted.
A heavy, geometric display face built from dense, monolithic silhouettes with collapsed counters and minimal interior detail. Letterforms mix broad curves with crisp, faceted cuts—often using wedge-like notches and triangular terminals—creating a stenciled, carved-from-a-block feel. The rhythm is irregular in a deliberate way: widths and internal cut shapes vary by glyph, while overall stroke mass stays consistent, producing strong black shapes and tight, compact word images. Curves are generally circular and full, but they’re frequently interrupted by sharp diagonal bites that act as the primary articulation in lieu of bowls and apertures.
Best suited for large-scale display settings where the solid silhouettes and carved cut-ins can be appreciated—posters, headlines, packaging, signage, and distinctive logotypes. It works well when you want compact, high-impact wordmarks and short phrases rather than long-form reading.
The font projects a playful, graphic personality with a bold, poster-ready presence. Its cutout geometry and simplified forms suggest mid-century/retro display lettering and toy packaging energy, leaning more expressive than functional. The overall tone is assertive and friendly, with a quirky, puzzle-like flavor driven by the unexpected notches and closed-in shapes.
The design appears intended as a statement display font that replaces traditional counter/inner-form readability with bold silhouette recognition and decorative geometric cutwork. Its goal is to deliver immediate visual punch and a memorable, novelty-forward texture in titles and branding.
Because many counters are filled, differentiation relies on outer silhouettes and the placement of angular cut-ins; this gives it strong impact at larger sizes but makes similar shapes converge at smaller sizes. Numerals and uppercase forms read as particularly iconic, with simplified constructions that emphasize geometry over conventional typographic detail.