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Free for Commercial Use

Serif Other Arle 1 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Cosan' by Adtypo, 'Frankly JNL' by Jeff Levine, 'Amostra' by Latinotype, 'Quida Rough' by LetterMaker, 'Biago' by Letteralle, 'Founder Rounder' by Serebryakov, 'KhaoSans' by TypeK, and 'Cungion' by Wildan Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, children’s media, playful, retro, chunky, friendly, whimsical, attention grabbing, playfulness, retro flavor, warmth, rounded, soft terminals, bulbous, compact counters, bouncy baseline.


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A very heavy, rounded serif display face with soft, swollen strokes and gently irregular contours that read as intentionally hand-hewn rather than mechanical. Serifs are small and blunted, often appearing as subtle flares or nubs at stroke ends, reinforcing a decorative serif structure without sharp edges. Counters are compact and oval, joins are thick and cushioned, and the overall rhythm feels slightly bouncy, with a mix of broad curves and occasional pinched inlets that add character. Numerals and punctuation follow the same bold, rounded construction, keeping a consistent, ink-trap-free silhouette geared toward impact.

Best suited for short-form display settings such as posters, headlines, logo wordmarks, packaging, and playful branding systems where a bold, friendly voice is needed. It also works well for children’s or entertainment-oriented materials, especially when set with generous spacing and used at medium-to-large sizes.

The tone is friendly and humorous, with a retro sign-painter energy and a warm, approachable presence. Its chunky softness and slightly quirky details suggest fun, casual messaging rather than formal or technical communication.

The design appears intended to deliver maximum presence with a soft, approachable serif personality—combining old-style, sign-like cues with rounded, cartoon-adjacent forms. It prioritizes distinctive silhouettes and a cheerful rhythm over neutrality, making it a characterful choice for expressive titles and branding.

The glyphs favor strong silhouettes and simplified interior spaces, which helps the type hold together at larger sizes but can make small-size text feel dense. The uppercase has a stout, poster-like stance, while the lowercase keeps the same bubbly weight and adds extra charm through slightly uneven-looking terminals and curves.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸