Print Fypi 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'Editorial Feedback JNL' by Jeff Levine, 'Goudar HL' by Stawix, 'Palo' by TypeUnion, and 'Calps' and 'Calps Sans' by Typesketchbook (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids branding, stickers, playful, chunky, friendly, handmade, retro, standout, approachability, handmade feel, playfulness, retro flavor, rounded, soft corners, inked, cartoonish, bouncy.
A heavy, rounded display face with an intentionally hand-drawn, inked look. Strokes are thick and fairly even, with soft corners, slight waviness, and small irregularities that create a lively rhythm. Proportions are compact and somewhat condensed, with simple, closed counters and a generally vertical stance; curves and joins feel blobby rather than geometric, and widths vary subtly from glyph to glyph for an organic texture. Numerals match the same chunky construction and simplified forms.
Best suited to display use such as posters, headlines, labels, and packaging where a bold, friendly voice is needed. It also works well for children’s materials, playful branding, and casual signage, especially when set with generous spacing and plenty of contrast against the background.
The overall tone is upbeat and approachable, with a humorous, cartoon-like warmth. Its roughened edges and bouncy shapes suggest handmade signage and playful packaging, leaning toward a retro, low-pressure feel rather than precision or formality.
The font appears designed to deliver maximum impact with a hand-rendered charm, prioritizing a fun, approachable presence over typographic neutrality. Its condensed, chunky forms aim to feel like thick marker or brush lettering translated into a consistent, repeatable set of characters.
At larger sizes the irregular inking and tight counters read as a deliberate texture; in dense settings, enclosed spaces and heavy weight can reduce clarity, especially in longer lines. The design’s personality comes through most in short phrases where the uneven silhouette can be appreciated.