Sans Superellipse Okdas 11 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, logos, packaging, posters, signage, retro, techy, friendly, sturdy, playful, geometric styling, signage clarity, retro modernism, brand distinctiveness, rounded, soft corners, squared bowls, monoline, compact.
This typeface is built from rounded-rectangle and superellipse forms, with consistently softened corners and a largely monoline stroke. Capitals are tall and compact with squared bowls and narrow apertures, giving the alphabet a condensed, engineered rhythm. Curves transition into straights with minimal modulation, and terminals are generally flat or softly squared rather than sharply cut. Lowercase follows the same geometry with simple, blocky structures, short-to-moderate extenders, and clearly separated counters that stay rectangular in character. Numerals match the system with sturdy, rounded forms and clean, closed shapes.
It performs best in display settings such as headlines, posters, branding, and packaging where its compact, geometric personality can read as intentional. The sturdy, rounded shapes also suit wayfinding and product labeling, especially when a retro-tech or industrial vibe is desired.
The overall tone feels retro-futuristic and technical while staying approachable due to the generous rounding and uniform weight. It suggests industrial labeling and mid-century modern signage, balancing seriousness with a slightly playful, toy-like softness. The condensed stance adds urgency and efficiency, while the rounded rectangles keep the mood friendly rather than harsh.
The design intent appears to be a geometric sans that replaces circular logic with rounded-rectangular construction for a distinctive, modernist flavor. By keeping strokes even and corners consistently softened, it aims for a robust, highly stylized presence that remains legible and cohesive across character sets.
Several letters emphasize narrow openings and boxy interior counters, which creates a distinctive texture at text sizes and a strong silhouette in headlines. The design’s consistent corner radius and even stroke make it visually coherent across uppercase, lowercase, and figures, with a clear preference for squared-off curves over fully circular construction.