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Free for Commercial Use

Sans Normal Onmuz 17 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Niko' by Ludwig Type, 'Belle Sans' by Park Street Studio, 'PTL Attention' by Primetype, 'Raldo RE' by URW Type Foundry, and 'Hedley New' by moretype (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, utilitarian, punchy, clarity, impact, modernity, versatility, simplicity, geometric, rounded, clean, sturdy, high legibility.


Free for commercial use
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A heavy, geometric sans with broad, rounded bowls and a steady, even stroke that keeps counters open at display sizes. Curves are smooth and circular, while terminals are mostly straight-cut, producing a clean, contemporary silhouette. Proportions feel balanced rather than condensed or extended, with a straightforward rhythm and consistent spacing across the alphabet and figures. Numerals are robust and highly readable, matching the letterforms’ strong, simplified construction.

This font performs best where impact and clarity matter: headlines, posters, signage, and brand marks that need a strong, legible presence. Its geometric simplicity also suits packaging and short UI or marketing callouts, especially at larger sizes where the rounded forms read cleanly.

The overall tone is modern and pragmatic with a friendly edge from the rounded geometry. Its weight and simple shapes give it a confident, attention-grabbing presence without feeling decorative. The voice reads as clear and direct, suited to bold messaging and straightforward communication.

The design appears intended as a modern, no-nonsense sans for bold display typography, prioritizing legibility and consistent geometry. Its restrained detailing suggests a focus on versatility across branding and editorial headlines rather than expressive or calligraphic nuance.

The design leans on circular forms for O/C/G and similarly rounded bowls, paired with crisp joins and minimal modulation. Uppercase shapes feel stable and blocky, while lowercase maintains a plainspoken, workmanlike character that stays consistent in longer text samples.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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15px
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11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸