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Sans Rounded Utge 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Perfume' by Fenotype, 'Meimidle' by Letterhend, and 'Troyline' by Sarid Ezra (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, kids branding, playful, friendly, chunky, casual, youthful, approachability, display impact, compactness, simplicity, legibility, soft, bulbous, bouncy, compact, high-contrast-free.


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A heavy, compact sans with generously rounded corners and terminals throughout. Strokes read as largely even, with smooth joins and simplified, geometric construction that keeps counters open despite the weight. The proportions are tight and space-efficient, with short extenders and a steady, upright rhythm; curves are prominent and corners are consistently softened, giving letters a padded, almost pill-like silhouette. Overall spacing appears controlled and dense, supporting a sturdy, poster-ready texture in lines of text.

Well-suited for headlines, posters, and display typography where a friendly, chunky voice is desirable. It can work for packaging, signage, and logo wordmarks that need strong impact with soft edges, and for kid-oriented or casual lifestyle branding where approachability is key.

The rounded mass and compact rhythm create a warm, approachable tone that feels playful and informal. It suggests kid-friendly energy and contemporary pop friendliness rather than corporate restraint, with a confident, bold presence that stays non-aggressive due to the softened shaping.

The font appears designed to deliver maximum visual impact in a compact footprint while staying approachable through rounded terminals and simplified, monoline construction. Its consistent soft geometry suggests an intention to be versatile for bold display messaging without feeling harsh or mechanical.

The design maintains clear differentiation between key shapes (for example, rounded bowls versus straight stems) and keeps punctuation and numerals visually consistent with the same softened, weighty treatment. In text settings, the heavy color forms a strong, cohesive block, making it best suited to short-to-medium copy where its personality can lead without overwhelming readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸