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Free for Commercial Use

Serif Forked/Spurred Pufo 4 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Explorer' by Fenotype; 'Bellfort' by GRIN3 (Nowak); 'Burger Honren' by IRF Lab Studio; 'Frontage Condensed' by Juri Zaech; and 'Angmar', 'Delonie', and 'Headpen' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, western, circus, vintage, bold, playful, attention, nostalgia, theming, impact, ornamentation, ornate, decorative, spurred, notched, compressed.


Free for commercial use
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A compact, tightly set serif display with heavy strokes and a compressed footprint. The letterforms lean on squared-off geometry softened by subtle rounding, with frequent notches, small spur-like projections, and forked-looking terminals that give stems a carved, ornamental edge. Counters are relatively small and openings are controlled, producing a dense, poster-forward texture. The overall construction stays upright and sturdy, with slightly irregular, hand-hewn detailing that adds visual rhythm without becoming fully distressed.

Best suited to short, high-impact settings such as posters, headlines, storefront-style signage, product labels, and logo wordmarks where the decorative spurs and dense texture can be appreciated. It can work for themed branding (western, circus, vintage) and display copy, but will be most effective at larger sizes where the internal notches and terminals remain clear.

The font reads as old-time and showy, evoking fairground posters, western signage, and turn-of-the-century advertising. Its weight and compressed proportions feel assertive and attention-seeking, while the spurred details add a playful, theatrical character. The tone is more performative than formal, with a nostalgic, crafted sensibility.

The design appears intended to deliver a strong, condensed display voice with ornamental, spurred terminals that recall vintage wood-type and poster typography. Its goal is to maximize presence in limited horizontal space while adding character through carved-looking details and a consistent, theatrical rhythm.

Uppercase shapes emphasize strong verticals and compact bowls, while lowercase forms keep the same sculpted terminal language, helping maintain consistency in mixed-case settings. Numerals follow the same compressed, poster-like styling, matching the overall density and ornamental edge work.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸