Cursive Serab 3 is a regular weight, narrow, high contrast, italic, short x-height font.
Keywords: invitations, greeting cards, packaging, social posts, headlines, playful, friendly, casual, lively, whimsical, handwritten feel, modern brush, friendly display, expressive tone, brand warmth, brushy, bouncy, rounded, expressive, looping.
This script has a brush-pen look with pronounced thick–thin modulation and a consistent rightward slant. Letterforms are compact and upright in their footprint, with rounded terminals, tapered entries/exits, and occasional teardrop-like stroke endings. The rhythm is bouncy and informal, with varied joining behavior: many lowercase letters connect fluidly while others break into discrete strokes, giving lines of text an airy, handwritten cadence. Capitals are simplified and swashy without becoming overly ornate, and the numerals follow the same calligraphic contrast and slight irregularity for a cohesive set.
It works best for short to medium-length display copy where the brushy contrast and lively connections can be appreciated—such as invitations, greeting cards, product packaging, social media graphics, and branding accents. In text settings, it is most effective at larger sizes or with generous spacing to preserve the crisp stroke contrast and prevent joins from feeling crowded.
Overall, the font feels upbeat and personable—like quick, confident handwriting with a touch of flair. Its energetic loops and brush contrast suggest a cheerful, approachable tone suited to informal, human-forward messaging rather than strict formality.
The design appears intended to capture the spontaneity of modern brush handwriting while staying legible and consistent across the alphabet and numerals. It balances decorative loops with straightforward skeletons to create a versatile, friendly script for contemporary casual communication.
Descenders (such as in g, j, y) are long and curved, adding movement below the baseline, while ascenders remain relatively tall and slender. Counters are generally open, and several glyphs show distinctive loop constructions (notably in the lowercase l and f), which become a defining texture in longer passages.