Print Toma 3 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: children’s books, posters, packaging, classroom materials, invitations, playful, friendly, casual, cheerful, childlike, approachability, handmade feel, playfulness, informal clarity, rounded, soft, bouncy, marker-like, irregular.
A rounded, hand-drawn print style with thick, softly blunted terminals and subtly uneven stroke edges that mimic a marker or brush pen. Proportions are slightly inconsistent from glyph to glyph, with a lively, bouncy rhythm and small baseline/width variations that keep the texture informal. Counters are generally open and generous (notably in C, O, e), while joins and bends stay smooth rather than angular; the overall silhouette favors bulbous curves over sharp corners. Numerals follow the same casual construction, with simplified shapes and friendly, wide curves.
Well suited to children’s titles, playful posters, and casual packaging where an inviting, hand-drawn voice is desired. It can work effectively for short to medium text in friendly contexts (cards, classroom worksheets, social graphics), and it performs especially well at display sizes where the rounded forms and lively rhythm can be appreciated.
The overall tone is warm and approachable, with an upbeat, kid-friendly energy. Its hand-made irregularities read as personable and relaxed, suggesting spontaneity rather than precision. The heavy, rounded forms add a cozy, easygoing feel that fits lighthearted messages.
Designed to capture the charm of informal hand lettering in an unconnected print style, prioritizing friendliness and visual warmth over geometric consistency. The thick, rounded strokes aim for high visibility and a soft, approachable personality in headlines and playful branding.
The lowercase shows a simple, printed construction (single-storey a and g), and punctuation-like details such as the i/j dots appear as small round marks that reinforce the soft, informal character. In text, the dark color and rounded strokes create strong presence, while the natural variation prevents the line from feeling rigid or mechanical.