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Free for Commercial Use

Inline Abtu 5 is a regular weight, very wide, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, book covers, packaging, signage, victorian, ornate, theatrical, decorative, vintage, display impact, vintage styling, engraved effect, ornamental flair, flared, bracketed, calligraphic, swashy, high-contrast details.


Free for commercial use
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A decorative serif with flared, bracketed terminals and an engraved inline detail that runs through many strokes, giving letters a carved, dimensional feel. Stems are relatively sturdy while curves and joins show sharper, calligraphic modulation, creating lively rhythm across words. Capitals present broad, stately forms with occasional sweeping tails (notably in letters like Q and R), while the lowercase keeps a traditional, readable structure with curled ear- and beak-like finishes. Numerals follow the same engraved logic and show curvy, oldstyle tendencies with pronounced entry/exit strokes.

Best suited to display typography where the engraved inline can be appreciated: posters, headlines, event branding, book or album covers, and premium-feeling packaging or labels. It can also work for short pull quotes or section openers, but is most effective when given generous size and breathing room.

The overall tone feels antique and theatrical, like Victorian-era signage or engraved titling on book covers. The inline carving adds a showpiece flourish that reads as crafted and slightly luxurious rather than minimalist or utilitarian. It suggests a classic, stage-poster energy—formal at first glance, but with playful swashes in the details.

The design appears intended to reinterpret a classic serif through an engraved, inline treatment—adding a crafted, decorative layer while retaining recognizable letterforms. Its wide proportions and flared serifs point toward attention-grabbing titling, aiming for vintage charm and a sense of ornamented craftsmanship.

The inline is treated as a consistent internal highlight rather than an outline, so the black shape remains dominant while the interior cut provides sparkle at display sizes. Spacing in the sample text reads comfortable for headlines, though the busy interior detail can visually thicken in dense settings. Curved letters (C, G, O, Q, S) especially emphasize the engraved effect, reinforcing the font’s ornamental identity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸