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Free for Commercial Use

Inline Opta 1 is a bold, very wide, very high contrast, upright, normal x-height font.

Keywords: headlines, mastheads, posters, packaging, branding, editorial, luxury, dramatic, fashion, classic, statement display, engraved effect, editorial impact, premium branding, didone-like, display, incised, striped, ornate.


Free for commercial use
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A display serif with heavy, sculpted letterforms and a continuous, hairline inline cut running through the main strokes. The design shows strong vertical emphasis, crisp wedge-like serifs, and pronounced contrast between thick bodies and razor-thin details. Counters are compact and often partially segmented by the inline, creating a carved, two-tone rhythm across bowls and stems. Uppercase proportions are broad and imposing, while the lowercase retains a traditional serif skeleton with decorative terminals and occasional teardrop-like finishing on joins and tails.

Best suited for large-scale headlines, magazine titles, fashion and beauty branding, premium packaging, and poster typography where the inline carving can read cleanly. It can also work for short pull quotes or event titles, especially when paired with a simpler companion for body text.

The overall tone feels couture and editorial, with a dramatic, high-end presence that reads like engraved or inlaid lettering. The inline detailing adds a refined, ornamental sparkle that suggests luxury packaging and fashion mastheads rather than utilitarian text settings.

Likely designed to deliver a commanding, editorial serif voice with an engraved inline effect that adds depth and ornament without relying on color. The goal appears to be maximum impact in display contexts, combining classical serif structure with a modern, graphic interior highlight.

The inline cuts are consistently aligned across the set, producing a distinctive striped highlight that becomes more pronounced at larger sizes. Some letters and numerals exhibit intentionally stylized interior shaping (notably in rounded forms), reinforcing its role as a statement face. In dense copy, the internal carving can create visual texture that competes with small counters, so spacing and size will strongly influence clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸