Blackletter Asvu 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, titles, posters, branding, packaging, medieval, traditional, ceremonial, old-world, dramatic, historical tone, display impact, calligraphic feel, formal voice, ornate, calligraphic, broken strokes, diamond terminals, compact caps.
This typeface presents a blackletter-inspired construction with broken, calligraphic strokes and firm vertical emphasis. Capitals are compact and highly stylized, using pointed joins, split strokes, and occasional looped or ribbon-like forms, while the lowercase is more restrained and rhythmically consistent. Stems are thick and dark with clearly articulated counters, and many letters finish in wedge or diamond-like terminals that suggest pen-driven modulation rather than geometric uniformity. Numerals follow the same hand-cut, slightly irregular logic, with curved tops and angled feet that keep the texture cohesive in text.
It suits headlines, title treatments, and short passages where a traditional blackletter voice is desired, such as posters, identity marks, labels, and themed packaging. The expressive capitals make it especially effective for display settings where historical or ceremonial character is part of the message.
The overall tone is historic and formal, evoking manuscript and early print traditions. Its dense color and decorative caps create a ceremonial, authoritative feel that reads as dramatic and intentionally old-world.
The design appears intended to deliver a classic blackletter atmosphere with a clear, text-capable lowercase and more expressive, decorative capitals. Its stroke breaks and pointed terminals aim to preserve calligraphic authenticity while maintaining an even, readable rhythm in words.
In text settings the lowercase maintains steady spacing and vertical rhythm, while the capitals introduce strong personality through more elaborate stroke breaks and interior shaping. The texture is intentionally dark and patterned, favoring distinctive silhouettes over minimal forms.