Sans Faceted Nyno 5 is a bold, very narrow, monoline, upright, tall x-height font visually similar to 'Alternate Gothic Pro EF' by Elsner+Flake, 'CF Blast Gothic' by Fonts.GR, 'Knockout' by Hoefler & Co., 'Alternate Gothic' by Linotype, 'Bessemer' by Sivioco, and 'Alternate Gothic Pro' by SoftMaker (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, authoritative, rugged, retro, impact, space saving, branding, display, angular, condensed, blocky, stencil-like, chiseled.
A condensed, all-caps-forward display sans built from straight strokes and clipped corners, replacing curves with planar facets. Stems are heavy and even in weight, with abrupt terminals and small notch-like cuts that create a machined, beveled feel. Counters are compact and mostly rectangular/octagonal, and the overall rhythm is tight with minimal internal whitespace. Lowercase follows the same squared construction and reads like a compact companion to the caps rather than a fully calligraphic text face; figures are similarly blocky and uniform in footprint.
Best suited to headlines, labels, and short emphatic lines where its condensed width and sharp facets can deliver high impact. It works well for sports-inspired branding, industrial or technical-themed packaging, and bold wayfinding or event signage, especially when set with generous tracking and ample line spacing.
The face projects a utilitarian, hard-edged tone—confident and no-nonsense, with a sporty and industrial character. Its faceted geometry evokes cut metal, varsity markings, and signage that prioritizes impact over softness.
The design appears intended to deliver a compact, high-impact voice using a faceted, cut-corner construction that reads as sturdy and engineered. Its consistent stroke weight and tightly controlled geometry suggest a focus on bold display typography that remains legible in space-constrained layouts.
The angular joins and clipped corners create strong silhouettes at large sizes, while the narrow proportions and tight counters can make long text feel dense. Distinctive faceting adds personality but also increases visual noise compared with smoother sans styles.