Solid Anfy 3 is a bold, normal width, high contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, titles, packaging, art deco, stencil, geometric, dramatic, retro, decorative impact, geometric clarity, retro styling, graphic rhythm, monolinear, sharp, cutout, modular, display.
A geometric display face built from solid, high-contrast masses interrupted by deliberate cut-ins and gaps. Many letters read as near-monoline constructions with circular and rectangular cores, but internal counters are frequently collapsed into filled forms, replaced by slits, or implied by breaks, giving the alphabet a stencil-like rhythm. Curves are drawn as clean arcs and half-circles, while diagonals appear as crisp wedges; terminals tend to be blunt, with occasional pointed joins in letters like A, M, V, W, and Y. The overall texture is bold and poster-forward, with consistent, intentional fragmentation that keeps forms legible while emphasizing pattern and silhouette.
Best suited to headlines, titles, posters, and branding where the bold silhouettes and cutout details can be appreciated at moderate to large sizes. It can also work on packaging, signage, and editorial display settings that benefit from a retro-modern, decorative voice. For body copy, it will be most effective in short bursts or as a stylistic accent due to its intentionally fragmented internal structure.
The font conveys a strong Deco-era modernism with a theatrical, engineered feel. Its cutout logic and bold black shapes create a sense of mystery and intrigue—part marquee, part industrial signage—making text feel graphic and assertive rather than conversational. The result is stylish and slightly enigmatic, with a playful edge that comes from the unexpected internal breaks.
The design appears intended to merge geometric modern letterforms with a decorative, cutout construction, prioritizing iconic shapes and rhythm over conventional internal counters. Its consistent slicing suggests a deliberate display concept aimed at creating strong, memorable wordmarks and impactful typographic statements.
The distinctive feature is the systematic use of vertical and horizontal slices that interrupt strokes and bowls, producing recognizable letterforms through negative-space cues more than traditional counters. In longer text, the repeated cut patterns create a pronounced visual cadence, so line spacing and size will noticeably affect readability.