Blackletter Nusa 10 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, book covers, branding, certificates, ceremonial, gothic, medieval, authoritative, dramatic, heritage, impact, tradition, gravity, display, angular, faceted, chiseled, notched, wedge terminals.
This is an angular, broken-stroke letterform with faceted joins, wedge-like terminals, and a consistent chiseled rhythm. Stems are heavy and vertical, while counters are tight and often polygonal, producing a compact, ink-rich color on the page. Many forms show pointed caps and notched transitions that create a lively sparkle without relying on curves, and the overall silhouette is crisp and emphatic in both upper- and lowercase. Numerals and capitals follow the same sharply cut vocabulary, maintaining a cohesive, structured texture across lines of text.
Best suited to display settings where a historic or gothic voice is desired, such as album artwork, event posters, book covers, packaging, and branding for heritage-leaning themes. It can work for short quotes or pull lines when set with generous tracking and ample line spacing to prevent the dense texture from closing up. It is less appropriate for long-form body text at small sizes, where the tight counters and sharp joins may reduce readability.
The overall tone is traditional and ceremonial, with a strong old-world presence that feels authoritative and formal. Its sharp, blade-like details and dense black shapes also bring a dramatic, slightly ominous energy suited to gothic or medieval-themed messaging. The texture reads as crafted and historical rather than modern or casual.
The design appears intended to evoke historical manuscript and sign-painted blackletter traditions while staying clean and legible for modern reproduction. It prioritizes strong silhouette and consistent texture, giving words a commanding presence in headlines and short passages. The sharp internal cuts and controlled spacing suggest a focus on visual rhythm and recognizable blackletter forms rather than ornamental flourishes.
Capitals are especially sculptural with strong vertical emphasis and pointed crown-like tops, while the lowercase maintains a steady rhythm with compact bowls and angular shoulders. The overall line color is dark and uniform, and the punctuation shown (e.g., apostrophe) follows the same cut, wedge-like styling for consistency.