Sans Other Mered 15 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Kelson' by Armasen, 'Hanley Pro' by District 62 Studio, 'Panton' by Fontfabric, 'Mazot' by Hurufatfont, 'Germalt' by Typesketchbook, and 'Dylan Condensed' by Wiescher Design (names referenced only for comparison).
Keywords: posters, headlines, halloween, packaging, stickers, playful, spooky, grunge, retro, comic, add texture, create character, headline impact, thematic display, chunky, wobbly, cutout, irregular, high-impact.
A heavy, chunky sans with irregular contours and wobbly stroke edges that read like hand-cut shapes. Terminals and corners are frequently nicked, notched, or slightly chipped, creating a distressed silhouette rather than clean geometric joins. Counters are compact and sometimes uneven, and curves (notably in C, G, O, S, and numerals) feel subtly lopsided for a lively rhythm. Overall spacing is fairly generous, with sturdy stems and simplified construction that keeps the texture consistent across caps, lowercase, and figures.
Best suited to display settings such as posters, event flyers, game or party graphics, packaging callouts, and short headlines where texture and character are desirable. It can also work for logos and badges that want a handcrafted, cutout look, but the distressed details may reduce clarity at small sizes or in dense paragraphs.
The font conveys a playful spookiness—like a Halloween poster, B-movie title card, or crafty cut-paper signage. Its roughened edges and bouncy proportions add humor and energy while still delivering a strong, high-contrast-in-size headline presence. The tone is informal, attention-grabbing, and slightly mischievous.
The design appears intended to deliver a friendly, high-impact sans with an intentionally rough, cut-paper distress to add personality and thematic flavor. It prioritizes recognizability and mood over typographic neutrality, aiming for quick attention and a distinctive, crafted surface.
Distinctive interior notches and bite-like cut-ins appear in several glyphs, giving the face a stamped or carved feel. Lowercase forms are compact and sturdy, with single-storey shapes where applicable, reinforcing an approachable display personality. Numerals match the same chipped, cutout styling for coherent titling and poster use.