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Slab Contrasted Osry 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Oso Serif' by Adobe, 'Beton EF' by Elsner+Flake, 'Beton' by Linotype, 'Polyphonic' and 'Rude Slab ExtraCondensed' by Monotype, 'Beton SB' and 'Beton SH' by Scangraphic Digital Type Collection, 'Fenomen Slab' by Signature Type Foundry, 'LFT Etica Sheriff' by TypeTogether, and 'Beton' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, western, poster, vintage, assertive, collegiate, impact, retro flavor, display clarity, strong branding, slabbed, blocky, bracketed, ink-trapless, sturdy.


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A heavy, slab-serif design with broad, squared serifs and a compact, block-like construction. Strokes are thick with noticeable but not delicate contrast, and the joins feel firmly bracketed rather than razor-sharp. Counters are relatively tight, terminals are blunt, and curves (notably in C, O, and S) are full and weighty, giving the face a dense, punchy rhythm. Lowercase forms maintain a sturdy, set-like texture, with a two-storey a, a compact e, and a short, robust t that reads clearly in bold text.

Works best for short, high-impact settings such as headlines, poster typography, storefront-style signage, and bold brand marks. It can also suit packaging and editorial display pull-quotes where a sturdy, retro authority is desired, while extended body text will generally need larger sizes and added spacing to maintain clarity.

The overall tone is confident and emphatic, leaning toward vintage display traditions—part old-style poster, part collegiate headline, with a faint Western/woodtype echo. It feels built for impact and straightforward messaging rather than subtlety.

The design appears intended to deliver maximum presence with a classic slab-serif voice: sturdy shapes, bold serifs, and a consistent, carved-in-black feel that holds up well in display contexts. Its proportions and dense color suggest a focus on impactful titles and attention-grabbing typographic statements.

The figures are large and dominant, matching the headline-oriented color of the capitals; rounded digits (notably 8 and 9) carry the same thick, sculpted weight as the letterforms. In longer lines, the dense blackness and tight internal spaces create a strong, attention-grabbing texture that benefits from generous tracking and comfortable line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸