Sans Other Soha 4 is a light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, display, posters, branding, ui titles, techno, futuristic, industrial, sci‑fi, modular, constructed feel, sci‑fi tone, geometric branding, interface styling, angular, geometric, octagonal, chamfered, outline.
A geometric, outline-driven sans built from straight segments and crisp corners, with frequent chamfers that create octagonal counters and clipped terminals. Strokes maintain an even line weight and open, airy interiors, giving the letters a wireframe feel rather than solid mass. Proportions run generously wide with squared, constructed bowls (notably in O, Q, and 0) and mostly flat horizontals, while diagonals are used sparingly and appear faceted rather than continuous curves. Lowercase follows the same engineered logic, with simplified forms (single-storey a, angular e, and segmented s) that prioritize structure over calligraphic flow.
Best suited to display settings where its open outline geometry can be appreciated—headlines, short UI titles, posters, packaging, and tech-forward branding. It can work for signage or interface labels when set at larger sizes with ample tracking, but is less ideal for dense body copy due to its segmented construction and light visual footprint.
The overall tone is technical and forward-looking, suggesting digital interfaces, machinery, and architectural drafting. Its sharp geometry and open outlines feel precise and synthetic, with a slightly retro-futurist edge reminiscent of early computer or arcade aesthetics. The face reads as controlled and schematic rather than warm or humanist.
The design appears intended to deliver a constructed, modular sans with a distinctly geometric silhouette—more like a plotted or engineered alphabet than a conventional text face. Its consistent chamfers and faceted curves suggest an aim for a cohesive sci‑fi/industrial voice that remains legible while emphasizing schematic style.
Several glyphs use distinctive construction cues—octagonal rounds, clipped joins, and occasional asymmetric details (such as the Q tail and angular S/s)—that increase personality but can also make small-size text feel busy. The outline-only design benefits from clean contrast against solid backgrounds and tends to perform best where spacing and line height are generous.