Font Hero

Free for Commercial Use

Sans Superellipse Agray 4 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Quota' by Ryan Williamson (names referenced only for comparison).

Keywords: ui labels, app branding, tech posters, signage, packaging, futuristic, technical, clean, geometric, modular, modernize, systematize, soften tech, brand distinctiveness, ui clarity, rounded corners, squared curves, monoline, compact apertures, soft terminals.


Free for commercial use
Customize the font name

A rounded-rectangle sans with monoline strokes and strongly squared curves, giving bowls and counters a superelliptical, “softly boxed” geometry. Corners are consistently radiused, terminals are blunt and smooth, and curves transition with a controlled, engineered feel rather than a humanist swing. The lowercase is large relative to the caps, with compact apertures and tight interior shaping that keeps forms crisp at display sizes. Numerals and punctuation follow the same modular construction, maintaining even color and a steady rhythm across lines.

Works well for UI headings, labels, and navigation where a modern, device-forward voice is desired. It also suits tech branding, product packaging, and contemporary posters where geometric clarity and a slightly futuristic silhouette can carry the visual identity. The consistent, modular shapes make it effective for short to medium-length text at larger sizes.

The overall tone feels futuristic and technical—clean, controlled, and system-like—while the rounded corners keep it approachable rather than harsh. It suggests interface design, industrial labeling, and contemporary sci‑fi branding without becoming overtly decorative.

Likely designed to translate a rounded-rectangle, modular geometry into a practical sans for modern communication. The aim appears to be a balance of technical precision and friendliness, with distinctive superelliptical forms that remain clean and legible in display and interface contexts.

Distinctive superelliptical construction is especially apparent in round letters and in the way joins and bends are treated, producing a consistent “squircle” motif throughout. The spacing and proportions read orderly and grid-friendly, supporting a stable, modern texture in multi-line settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸