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Free for Commercial Use

Slab Square Subus 9 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FS Silas Slab' by Fontsmith and 'Haboro Slab' and 'Haboro Slab Soft' by insigne (names referenced only for comparison).

Keywords: headlines, posters, editorial, branding, packaging, vintage, confident, athletic, industrial, impact, readability, heritage, workwear, headline strength, bracketed, chunky, ink-trap hint, soft corners, heavy serifs.


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A heavy, right-leaning slab serif with compact, squared-off serifs and sturdy stems. The design maintains a consistent, low-contrast stroke feel, with rounded joins and subtly softened corners that keep the letterforms from feeling overly rigid. Counters are moderately open and the overall rhythm is dense and steady, supported by strong horizontals and solid terminals that read cleanly at display sizes. Numerals match the robust build, with straightforward shapes and stable baselines that harmonize with the letters.

Best suited to headlines, subheads, pull quotes, and short blocks of display copy where its weight and slant can create momentum. It would also work well for branding marks, packaging, and label-style applications that benefit from a sturdy, vintage-leaning slab presence. In longer passages it can function as emphasis or for large-size text where strong rhythm is desirable.

The tone is assertive and familiar, evoking classic print and workwear-era typography with an energetic italic slant. It feels confident and slightly nostalgic, balancing ruggedness with enough refinement for editorial use. The overall impression is practical, bold-voiced, and attention-grabbing without becoming decorative.

The design appears intended to deliver a forceful italic slab voice that combines utilitarian sturdiness with classic print character. Its squared serifs and dense texture suggest an aim toward impactful display typography that still feels conventional and readable.

The italic angle is pronounced enough to add motion, while the slab structure keeps the forms grounded. Uppercase shapes appear broad and emphatic, and the lowercase maintains clear silhouettes suitable for headline-length text. The punctuation shown in the sample text reads stout and consistent with the serif treatment.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸