Sans Faceted Beda 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Evanston Tavern' by Kimmy Design, 'LHF Advertisers Square' by Letterhead Fonts, 'Octin College' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, team apparel, packaging, industrial, athletic, techno, authoritative, rugged, impact, industrial feel, modular geometry, sport tone, stencil effect, octagonal, angular, blocky, compact, stencil-like.
A heavy, geometric display sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Counters and apertures tend toward squarish, octagonal forms, and terminals are cut cleanly at consistent angles for a machined, modular feel. Proportions are compact with strong verticals; round letters like O/C/G read as faceted polygons, while diagonals (A, K, V, W, X, Y) are steep and decisive. Numerals echo the same cut-corner construction, keeping the overall texture dense and uniform.
Best suited for bold headlines, posters, and high-impact branding where angular geometry can carry the visual identity. It works well for sports and team marks, event graphics, product packaging, and signage that benefits from a sturdy, engineered presence.
The faceted construction and solid weight convey a tough, utilitarian tone that feels engineered rather than handwritten or ornamental. It reads as sporty and militant-adjacent without being decorative, projecting strength, control, and a contemporary industrial edge.
The design appears intended to translate the look of cut metal plates or chamfered industrial forms into a readable alphabet, emphasizing consistency of angled facets and strong silhouettes. Its construction prioritizes punchy legibility and a distinctive, mechanical texture in display sizes.
The angled corner system is applied consistently across caps, lowercase, and figures, creating a distinctive rhythm in both headlines and short text. The lowercase maintains the same blocky logic as the uppercase, with simplified joins and compact bowls that prioritize impact over softness.