Print Hibod 1 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Hero Sandwich Pro' by Comicraft, 'Fox Nice' by Fox7, 'Knicknack' by Great Scott, and 'Otter' by Hemphill Type (names referenced only for comparison).
Keywords: posters, children’s, packaging, logotypes, headlines, playful, quirky, cartoon, friendly, bouncy, playfulness, handmade feel, bold impact, casual tone, chunky, soft-cornered, irregular, hand-drawn, compact.
A chunky, hand-drawn all-caps-and-lowercase style with heavy, rounded forms and visibly irregular outlines. Strokes feel brushy and cut from solid shapes rather than constructed from strict geometry, producing uneven edges, wobbly terminals, and occasional angular nicks. Counters are generally small and sometimes asymmetrical, while letter widths vary noticeably, creating a lively rhythm across words. The lowercase is compact with a tall presence relative to caps, and the numerals follow the same blobby, cutout-like construction for a cohesive texture in display settings.
Best suited to short, high-impact copy such as posters, headlines, playful packaging, and character-driven logotypes. It works well where a friendly, handmade voice is desirable—especially in kids’ projects, events, and casual signage—while smaller sizes and long-form reading are less ideal due to the dense color and tight counters.
The overall tone is upbeat and humorous, with a homemade energy that reads as informal and approachable. Its bouncy spacing and uneven silhouettes suggest cartoons, kids’ materials, and lighthearted branding rather than serious editorial typography.
The design appears intended to deliver a bold, hand-drawn display voice with deliberate irregularity, prioritizing personality and immediacy over strict consistency. Its cutout-like shapes and buoyant rhythm aim to feel fun and spontaneous, as if quickly lettered with a thick marker or brush.
In text, the dense weight and tight interior spaces create a strong dark color on the page, which amplifies impact at larger sizes. The irregular baselines and slightly different letter footprints add personality and motion, but they also make long passages feel visually busy.