Sans Superellipse Oklih 5 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Proto Mono' by ATK Studio (names referenced only for comparison).
Keywords: ui labels, code snippets, dashboards, signage, packaging, techy, utilitarian, retro-futurist, industrial, instrumental, system consistency, readout aesthetic, functional clarity, compact rhythm, rounded corners, squared curves, modular, geometric, clear spacing.
A geometric sans built from rounded-rectangle and superellipse-like strokes, with consistently softened corners and a uniform line weight. Curves tend to resolve into squared-off bowls and terminals, giving round letters a boxy, machined feel. The proportions are compact and orderly, with generous internal counters and steady sidebearings that create an even, grid-like rhythm in text. Numerals and capitals follow the same modular logic, favoring straight segments with rounded joins for a clean, engineered silhouette.
Well-suited to interfaces and product contexts where regular spacing and quick character recognition matter, such as UI labels, settings screens, dashboards, and technical documentation. It can also serve branding and packaging that aims for a modern-industrial or retro-tech mood, and works effectively for short headlines or captions where its modular shapes become a visual feature.
The overall tone reads technical and instrument-like—calm, systematic, and slightly retro in the way it echoes display readouts and industrial labeling. Its rounded corners keep it approachable, while the squared curves maintain a disciplined, precise character.
The design appears intended to deliver a disciplined, systemized sans that feels engineered and consistent across letters and numbers, while using rounded corners to stay friendly and contemporary. Its shape language suggests a focus on readability in structured layouts and on evoking the aesthetics of digital devices and industrial graphics.
Distinctive details include angular joins on letters like A and W, squared bowls on C/D/O/Q forms, and simplified, sturdy punctuation and figures that prioritize consistency over calligraphic nuance. The design’s uniform geometry helps prevent visual noise in dense settings while preserving a recognizable, device-oriented personality.