Sans Superellipse Udlik 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Refinery' by Kimmy Design, 'Navine' by OneSevenPointFive, and 'Raker' by Wordshape (names referenced only for comparison).
Keywords: sports branding, gaming ui, tech headlines, automotive, posters, sporty, techy, futuristic, dynamic, confident, impact, speed, modernity, branding, precision, rounded corners, squared curves, oblique slant, compact counters, uniform strokes.
A heavy, oblique sans with a superelliptical construction: curves resolve into rounded-rectangle corners and flattened arcs, giving letters a machined, aerodynamic feel. Strokes are uniform and monolinear, with generous weight and compact interior counters that emphasize solidity. Terminals are mostly squared-off with softened radii, and many joins favor crisp angles over fully circular bowls. Numerals follow the same rounded-rect geometry, maintaining consistent heft and a forward-leaning rhythm across the set.
Best suited for display roles where a strong, fast aesthetic is desired—headlines, logotypes, team or esports identities, and product branding with a performance angle. It can also work for short UI labels or interface elements in games and dashboards when set with ample size and spacing, but extended body text will benefit from careful sizing due to the tight counters and dense color.
The overall tone is energetic and modern, reading as fast, assertive, and slightly futuristic. Its slanted stance and squared-round shapes suggest motion and engineered precision, making it feel at home in performance-driven or tech-forward contexts.
The font appears designed to deliver maximum punch and speed through an oblique stance, uniform heavy strokes, and superelliptical letterforms. Its geometry prioritizes a cohesive, engineered silhouette that stays consistent across letters and numerals for branding-forward typography.
The design relies on consistent corner radii and flattened curves, creating a cohesive “rounded-square” texture in both uppercase and lowercase. The lowercase shows single-storey forms where applicable and keeps apertures relatively tight, which increases impact but can reduce clarity at small sizes. Punctuation and symbols visible in the sample (apostrophe, ampersand, question mark) match the same chunky, rounded-rect styling.