Script Tikaf 9 is a regular weight, narrow, high contrast, italic, short x-height font.
Keywords: invitations, wedding, branding, packaging, headlines, elegant, romantic, classic, refined, inviting, formality, grace, handcrafted feel, decorative caps, display use, flowing, calligraphic, swashy, looped, tapered.
This typeface presents as a flowing, calligraphic script with a consistent rightward slant and pronounced thick–thin modulation. Strokes taper into sharp terminals, with frequent entry and exit strokes that create a lively rhythm across words. Uppercase forms are more decorative, featuring extended curves and occasional swash-like flourishes, while the lowercase maintains a compact, looped structure with smooth joins and rounded bowls. Figures and capitals retain the same pen-driven contrast, with graceful curves and slightly varying widths that keep the texture organic rather than mechanical.
It is well suited to invitations, wedding collateral, and other ceremonial print where an elegant script voice is desired. The expressive capitals and strong contrast also work well for logos, boutique branding, packaging accents, and short headlines or pull quotes. For best results, it fits display sizes and situations where the flowing connections and swashes can be appreciated.
Overall, the font conveys a poised, formal warmth—polished and traditional, yet personal like careful hand lettering. Its flourishes and smooth connections add a romantic, celebratory tone without becoming overly ornate, making it feel suited to classic correspondence and premium presentation.
The font appears designed to emulate formal pen script, balancing legibility with decorative movement. Its emphasis on contrast, tapered terminals, and embellished capitals suggests an intention to provide a polished handwritten tone for upscale, celebratory, and brand-forward typography.
The design favors curved construction and soft counters, with minimal angularity and a clear calligraphic stress. Spacing appears tuned for word-shapes and continuity, while long ascenders/descenders and expressive capitals add visual movement that becomes a key part of the typographic color.