Sans Superellipse Feban 12 is a bold, normal width, low contrast, italic, tall x-height, monospaced font visually similar to 'Vin Mono Pro' by Mint Type, 'LFT Etica Mono' by TypeTogether, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).
Keywords: ui labels, dashboards, data tables, posters, packaging, industrial, utilitarian, technical, contemporary, assertive, clarity, impact, system feel, modernity, speed, slanted, compact, rounded, geometric, square-shouldered.
A heavy, slanted sans with compact proportions and a strong, steady rhythm. Forms lean on rounded-rectangle geometry: bowls are squarish with softened corners, counters stay fairly open, and curves transition quickly into straight segments. Strokes remain even and dense, with blunt terminals and a generally squared-off construction that keeps lettershapes crisp at display sizes. The italic angle is consistent across capitals, lowercase, and numerals, reinforcing a unified, forward-tilting texture.
This style fits interfaces and on-screen labeling where a firm, condensed texture and consistent slant help create a clear hierarchy, especially in short strings, buttons, and headings. It also works well for industrial branding, technical posters, and packaging callouts where a bold, forward-leaning voice is desirable and alphanumerics appear frequently.
The overall tone is technical and utilitarian, with an industrial, engineered feel. Its slant and weight read energetic and directive rather than delicate, making the voice feel modern, assertive, and functional—well suited to contexts that benefit from a sense of motion and decisiveness.
The design appears aimed at delivering a modern, engineered sans that stays compact and forceful while maintaining legibility through open counters and softened corners. Its consistent slant and rounded-rectangle construction suggest an intent to feel fast, practical, and system-ready across mixed text and numbers.
Round characters like O/C/G and 0/8 show the superelliptic influence most clearly, reading more like softened boxes than perfect circles. The numerals are sturdy and straightforward, matching the letterforms’ squared curves and blunt endings, which helps maintain an even typographic “color” in mixed alphanumeric settings.