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Free for Commercial Use

Distressed Lofy 1 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Perfecto' by Autographis, 'Akzidenz-Grotesk Next' by Berthold, 'Macarena DT' by DTP Types, 'Pragmatica' by ParaType, 'Mercedes Serial' by SoftMaker, and 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).

Keywords: posters, album covers, streetwear, packaging, event promos, grunge, handmade, rugged, casual, playful, print wear, tactile impact, handmade feel, attitude, rough edges, inked, blotchy, weathered, organic.


Free for commercial use
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A chunky, all-caps-and-lowercase sans with heavily irregular, textured outlines that mimic worn ink or rough stamping. Strokes maintain a generally consistent weight but show ragged edges, small blobs, and pitted counters that vary from glyph to glyph, creating a lively, imperfect rhythm. Proportions are compact and sturdy, with rounded corners and simplified forms; curves and diagonals feel slightly softened by the distressed texture. Numerals match the letterforms’ sturdy construction and retain the same uneven perimeter and speckled interior character.

Best suited for display uses where texture is desirable—posters, gig flyers, album and podcast artwork, streetwear graphics, and packaging that aims for a rough-printed or vintage-photocopy aesthetic. It can work for short headlines or labels in editorial layouts, but extended body text may feel dense as the distressed edges accumulate.

The overall tone is gritty and handmade, like lettering pulled from a photocopied flyer, screen print, or rubber-stamp impression. It reads as informal and energetic, with a subtly rebellious, street-level character that feels more tactile than polished.

The design appears intended to deliver a bold, tactile impression that suggests imperfect printing and physical wear, adding instant grit and personality to simple sans forms without relying on complex letter construction.

Texture is the dominant feature, so color and size changes will strongly affect perceived detail: at smaller sizes the distress merges into a dark mass, while larger settings reveal the edge noise and counter roughness. Spacing appears moderately open and helps preserve legibility despite the heavy surface wear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸