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Free for Commercial Use

Slab Contrasted Bega 9 is a very bold, very wide, high contrast, italic, normal x-height font.

Keywords: headlines, posters, branding, packaging, sports logos, assertive, vintage, editorial, sporty, dramatic, attention, impact, motion, retro feel, headline voice, bracketed serifs, ink-trap feel, compact counters, strong diagonals, heavy terminals.


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This typeface is a right-leaning, heavy display serif with prominent slab-like, often bracketed serifs and an energetic forward slant. Strokes show clear modulation, with thick main stems contrasted by thinner joins and diagonals, creating a punchy rhythm across words. Letterforms are broad and blocky with tight interior counters; curves are full and weighty, while corners and joins frequently sharpen into chiseled wedges. Numerals and capitals are especially robust, with sturdy horizontals and emphatic terminals that read strongly at large sizes.

Best suited to headlines, posters, and big typographic statements where its heavy slabs and contrast can carry personality. It works well for branding and packaging that want a vintage or assertive tone, and for sports or event-centric graphics where the slant contributes speed and impact. Use in shorter bursts or at larger sizes to keep counters and details from closing in.

The overall tone is bold and theatrical, with a distinctly retro flavor that evokes classic posters and mid‑century advertising. Its forward-leaning stance adds motion and urgency, lending an assertive, competitive feel that can also read as headline-journalistic. The combination of slabs and contrast creates a confident, attention-grabbing voice rather than a quiet text presence.

The design appears intended to merge the solidity of slab serifs with the drama of contrasted, italicized display forms—prioritizing presence, momentum, and a strong silhouette. It aims to deliver a classic, poster-ready voice with enough modulation and sharpness to stay lively in contemporary layouts.

In running text, the dense weight and tight counters produce a dark typographic color, while the italics-like slant and sharp joins keep the texture lively. Some lowercase shapes (notably a, g, and e) feel compact and sturdy, emphasizing legibility through mass rather than openness; spacing appears designed for impactful setting rather than airy, extended copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸