Sans Superellipse Almuy 6 is a light, normal width, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, terminal style, dashboards, data display, signage, techy, retro-futurist, utilitarian, precise, minimal, systemic clarity, digital utility, modernization, schematic tone, compact labeling, rounded-rect, geometric, squared-round, modular, high contrast (shape).
This typeface is built from a modular, rounded-rectangle skeleton: straight verticals and horizontals dominate, with corners eased into soft radii rather than true circles. Strokes keep a consistent thickness, producing an even, engineered texture, while counters in letters like O, D, P, and R read as squarish bowls with rounded corners. Curved forms are simplified into superellipse-like arcs (notably in C, G, S, and the lowercase), and diagonals appear sparingly and cleanly in K, M, N, V, W, X, Y, and Z. The overall rhythm is tidy and uniform, with a boxy silhouette and clear, schematic punctuation of terminals and joins.
It suits interface copy where consistent spacing and a disciplined geometry help scanning—such as dashboards, settings screens, status readouts, and UI labels. The squared-round forms also work well for wayfinding, equipment marking, and compact headings where a technical aesthetic is desired. In longer text, it reads best when used at sizes that preserve the rounded-corner details and the open, simplified curves.
The font projects a technical, instrument-panel tone—orderly, measured, and slightly retro in the way it favors squared curves and modular construction. Its clean, no-nonsense shapes feel at home in digital interfaces and industrial labeling, conveying precision more than warmth or expressiveness.
The design appears intended to deliver a clear, systematized sans that feels digitally native, using rounded-rectangle construction to balance strict geometry with approachable softened corners. It prioritizes uniformity, predictable spacing, and easily distinguishable letterforms for structured, information-forward typography.
Several glyphs emphasize a constructed, grid-friendly logic: the zero is slashed, the lowercase a is single-storey, and many curves resolve into softened corners rather than continuous round bowls. The lowercase forms echo the uppercase geometry closely, reinforcing a consistent, system-like personality across text.