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Free for Commercial Use

Script Urwa 7 is a very light, very narrow, high contrast, italic, very short x-height font.

Keywords: wedding stationery, invitations, greeting cards, beauty branding, luxury packaging, elegant, delicate, romantic, refined, airy, formal script, signature look, invitation design, ornate capitals, calligraphic elegance, monoline-like, hairline, looping, flourished, calligraphic.


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A graceful formal script built from hairline strokes with pronounced thick–thin modulation and a consistent rightward slant. Letterforms are tall and slender with long ascenders and descenders, a very small x-height, and generous internal whitespace that keeps the texture light. Connections are smooth and cursive in running text, with frequent entry/exit strokes, open counters, and occasional extended swashes on capitals. Overall rhythm is flowing and continuous, with soft curves and carefully tapered terminals that mimic pointed-pen movement.

This script is strongest in short, prominent settings such as wedding suites, invitations, monograms, greeting cards, and elegant brand marks. It also suits beauty, fragrance, and boutique packaging where a refined handwritten tone is desired. For best results, use it in display sizes with comfortable line spacing so the loops and ascenders have room to breathe.

The font conveys a poised, romantic elegance—more like fine invitation handwriting than casual notes. Its airy strokes and sweeping capitals feel ceremonial and intimate, suggesting formality without heaviness. The overall tone is graceful and quiet, suited to upscale, sentimental, or celebratory messaging.

The design appears intended to emulate refined, pointed-pen cursive with a light, flowing hand and decorative capitals. Its proportions prioritize elegance and verticality, while the continuous joins and tapered terminals aim to produce smooth word shapes in connected text. The overall intent reads as a formal signature-style script for high-end, celebratory applications.

Capitals are especially ornate, featuring large loops and sweeping lead-in/lead-out strokes that can dominate a line at larger sizes. Numerals maintain the same thin, calligraphic construction and slanted posture, reading best when given ample spacing and contrast against the background. In longer passages, the very light strokes and tight letterforms suggest using it at display sizes where the delicate details remain visible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸