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Free for Commercial Use

Sans Normal Adduz 4 is a bold, normal width, monoline, italic, normal x-height font visually similar to 'II Vorkurs' by Increments, 'Gilroy' by Radomir Tinkov, 'Almarose' by S&C Type, 'Core Sans C' by S-Core, and 'Caros' and 'Caros Soft' by cretype (names referenced only for comparison).

Keywords: branding, headlines, posters, advertising, packaging, sporty, dynamic, modern, confident, friendly, modernize, add motion, increase impact, improve clarity, rounded, geometric, slanted, open, crisp.


Free for commercial use
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This typeface is a slanted, geometric sans with smooth, rounded bowls and clean terminals. Strokes appear consistently heavy, with compact joins and a steady rhythm that keeps counters open and legible. Uppercase forms are broad and stable with generous curves in letters like C, G, and O, while the lowercase shows a single-storey a and g with simple, contemporary construction. Numerals follow the same rounded, sturdy logic, with clear differentiation and a forward-leaning stance.

It works especially well for branding, headlines, and promotional copy where a strong, forward-leaning presence is useful. The rounded geometry and clear counters also make it a solid option for packaging and advertising, particularly in contexts aiming for a modern, sporty, approachable feel.

The overall tone is energetic and contemporary, combining athletic forward motion with a friendly softness from its rounded forms. It reads as confident and functional rather than expressive or decorative, making it feel suited to modern branding and UI contexts that want momentum without harshness.

The design appears intended to deliver an assertive, modern sans voice with built-in emphasis through its slant, while keeping shapes simple and rounded for clarity. Its construction prioritizes clean geometry, steady weight, and quick visual impact across large sizes.

The italic angle is pronounced enough to create speed and emphasis, yet the letterforms remain controlled and consistent. Circular letters and wide curves dominate the silhouette, and the spacing looks comfortable for display and short-to-medium text where a bold, active voice is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸