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Free for Commercial Use

Wacky Obwy 9 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra and 'Basic Sans Cnd' by Latinotype (names referenced only for comparison).

Keywords: posters, headlines, album covers, streetwear, event flyers, distressed, stenciled, industrial, grunge, playful, add texture, create impact, signal grit, stand out, broken, weathered, cut-out, chunky, ink-trap.


Free for commercial use
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A heavy, blocky display face with stencil-like interruptions running through stems, bowls, and crossbars. The letterforms are largely geometric and upright, but the internal cut gaps and rough, uneven edges create a fractured rhythm across words. Counters are generally open and simple, with occasional notch-like breaks that read like wear, chips, or torn print. Uppercase forms feel sturdy and poster-like, while the lowercase is compact with similarly broken joins and a slightly irregular texture that becomes more apparent in continuous text.

Best used for short, high-impact typography such as posters, headlines, packaging accents, album art, and apparel graphics. It can work well for thematic applications like distressed branding, faux-stencil labels, or rugged promotional materials, especially when set large with generous tracking.

The overall tone is gritty and energetic—equal parts industrial and mischievous. The repeated breaks give it a “damaged signage” attitude, while the chunky silhouettes keep it friendly and approachable rather than severe. It reads as deliberately imperfect and attention-seeking, suited to designs that want a handcrafted, rebellious edge.

The design appears intended to merge a classic, sturdy display skeleton with a consistent system of breaks that mimics stencil bridges and worn printing. The goal is to deliver immediate visual character and texture, prioritizing personality and impact over neutral readability in text-heavy contexts.

The distinctive mid-stroke gaps create strong patterning at headline sizes, but they also introduce visual noise in longer settings. Curves and diagonals retain clear silhouettes, yet the distressed cuts can cause similar letters to converge visually, making spacing and size choices important for readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸