Sans Contrasted Obvi 11 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: magazines, book design, branding, headlines, packaging, editorial, refined, classic, bookish, elegant, editorial voice, compact economy, refined clarity, classic modernity, high-shouldered, open counters, bracketed hints, calligraphic stress, compact.
This typeface presents a compact, vertically oriented skeleton with clear stroke modulation and slightly tapered terminals. Curves show a subtle calligraphic stress, while straight stems remain steady, producing a crisp, controlled rhythm in text. The lowercase has a moderately sized x-height with rounded, open bowls (notably in a, e, and o), and several forms lean toward transitional proportions, giving the set a composed, literary feel. Capitals are clean and simplified with minimal ornament, and the numerals follow the same restrained contrast and compact stance for consistent color.
It works well for magazine and book typography, especially for headings, subheads, and short-to-medium passages where its compact width and controlled contrast can maintain a clean, editorial tone. It also suits branding and packaging systems that want a classic, cultivated voice without heavy ornamentation.
Overall, the font feels refined and editorial, balancing seriousness with approachability. The modest contrast and tidy proportions give it a quiet elegance suited to polished, text-forward design without feeling overly formal or decorative.
The design appears intended to deliver an editorially minded, compact text-and-display hybrid: readable and steady in paragraphs, yet distinctive in headlines through its contrast, tapered endings, and classic proportions.
In the sample text, the font holds together with an even texture and strong vertical emphasis, while the tapered terminals and stroke modulation add subtle liveliness at larger sizes. The lowercase maintains legibility through open counters, and the punctuation integrates neatly without drawing attention away from the line.