Sans Other Wivo 11 is a very bold, very wide, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, branding, album covers, futuristic, techno, sci-fi, industrial, experimental, display impact, tech aesthetic, sci-fi voice, graphic texture, distinct silhouette, geometric, modular, streamlined, stencil-like, aerodynamic.
A geometric, display-oriented sans with extended proportions, heavy black masses, and razor-thin linear strokes used as structural accents. Many letters are built from rounded rectangles and broad bowls interrupted by horizontal cut-ins and occasional hairline connectors, creating a segmented, almost stencil-like construction. Curves are smooth and controlled, counters tend to be compact, and terminals are typically flat, giving the set a sleek, engineered rhythm. The overall texture alternates between dense blocks and delicate lines, producing a striking, graphic silhouette at larger sizes.
Best suited to posters, titles, packaging, and branding that wants a strong techno or sci-fi signal. It works well for logotypes and short display lines, especially in high-contrast layouts where the thin rules can remain crisp. For long-form text or small UI sizes, the dense fills and intricate internal detailing may reduce clarity.
The font conveys a futuristic, machine-made feel—part sci-fi interface, part industrial signage. Its segmented shapes and high-contrast detailing suggest speed, electronics, and engineered systems rather than warmth or tradition. The tone is bold, assertive, and experimental, with a strong sense of motion created by the repeated horizontal incisions.
The design intention appears to be a distinctive, futuristic display sans that merges heavy geometric volumes with precise hairline incisions. By combining blocky forms and fine linear elements, it aims to create an engineered, high-tech voice and a memorable silhouette for attention-grabbing typography.
Readability depends heavily on size: the hairline features and internal cutouts are visually distinctive but can close up or break down when reduced. The design appears optimized for headlines and short phrases where its modular construction can be appreciated, and where consistent spacing and rhythm are more important than conventional letterform familiarity.