Font Hero

Free for Commercial Use

Inline Pahe 5 is a regular weight, very wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, titles, futuristic, techno, art deco, sci‑fi, dramatic, display impact, retro futurism, graphic texture, stylized signage, geometric, modular, stencil‑like, bilinear, display.


Free for commercial use
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A geometric display face built from broad, rounded slabs and razor-thin connecting strokes, with a consistent inline cut running through many of the heavy stems and bowls. The design alternates dense vertical blocks with hairline horizontals and diagonals, producing a sharp high-contrast rhythm and a distinctly modular feel. Counters tend to be compact and rounded, while joins and terminals often resolve as clipped, engineered shapes rather than traditional curves. Overall proportions read expanded, with wide capitals and generous letterspacing comfort in the sample text, while the thin internal lines add crisp segmentation to otherwise solid forms.

Best suited to display settings such as headlines, title cards, posters, and branding marks where its high-contrast inlines can read cleanly. It also fits retro-tech packaging, event graphics, and short editorial callouts that benefit from a strong graphic texture.

The font conveys a sleek, synthetic tone—part retro-futurist, part Deco-inspired signage—balancing elegance from the hairlines with a mechanical, constructed toughness from the heavy strokes. The inline carving gives it a luminous, instrument-panel flavor that feels designed for attention and impact rather than neutrality.

The design appears intended to reinterpret geometric display lettering with an engineered inline treatment—using heavy, rounded forms as a scaffold and precise hairlines to create structure, highlight, and visual motion. The goal is a distinctive, modernist silhouette that remains consistent across the alphabet while delivering a bold, decorative voice.

Texture in paragraphs becomes highly patterned as the inline cuts align across words, creating a striped, architectural cadence. Legibility is strongest at larger sizes where the hairline inlines stay distinct; at smaller sizes the fine internal cuts may visually merge into the black masses, emphasizing shape over detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸