Script Tani 3 is a very light, very narrow, high contrast, italic, very short x-height font.
Keywords: wedding invites, greeting cards, branding, quotes, packaging, airy, elegant, romantic, whimsical, delicate, formal handwriting, graceful rhythm, light elegance, personal tone, refined script, monoline-ish, looping, lanky, swashy, calligraphic.
This script has tall, slender letterforms built from fine, hairline strokes and gently tapered joins. The slant is consistent, with long ascenders and descenders that create a vertical, graceful rhythm across words. Curves are drawn with light pressure and occasional looped entries/exits, while uppercase forms lean on simple, open ovals and understated swashes rather than heavy ornament. Spacing is generous and the overall texture is crisp and airy, with a handwritten irregularity that remains controlled and repeatable.
It works best for short to medium text where delicacy is an asset: wedding stationery, greeting cards, boutique branding, quote graphics, and light-touch packaging. The thin strokes and narrow proportions make it especially suitable for larger sizes, where the loops and vertical rhythm can be appreciated without losing clarity.
The font reads as intimate and refined, like neat penmanship for invitations or personal notes. Its thin strokes and looping motion give it a soft, romantic tone, while the narrow stance keeps it poised and modern rather than overly decorative. Overall it conveys lightness, gentleness, and a touch of playful charm.
The design appears intended to emulate careful, formal handwriting with a contemporary, slender build. It prioritizes elegance and fluid motion over bold presence, offering a refined script voice that stays legible while still feeling personal and hand-drawn.
Capital letters are notably tall and open, often starting with a loop or curved lead-in, which helps them stand out without adding weight. Lowercase forms favor rounded counters and long, smooth strokes; descenders (such as in g, y, and j) add elegant movement below the baseline. Numerals follow the same light, handwritten logic with simple, readable shapes that don’t overpower the text.